"On The Computer Room, Tran, inspired by the din and noise and grind of experimental electronics, longs for the computer room of his youth—where hours were joyfully lost behind the glow of his screen."

Bradshaw recorded vocal melodies and improvisations that Cooper subjected to electronic manipulation, in an iterative process.

For trumpet and electronics. Produced, composed, performed, engineered and mixed at home in Ann Arbor, MI, during the COVID-19 pandemic by Mark Kirschenmann.

The first three parts of the seven part (plus an interlude) work. Charlotte Greve, voice, saxophone, synthesizers; Keisuke Matsuno, guitar; Simon Jermyn, bass; Jim Black, drums; Cantus Domus (choir).

"A new suite of electronic devices that functionally integrate textiles and synthesizer circuits accompanies the two musicians’ familiar set of small portable percussion."